Global crisis standard values from dawn to decline clark rubber brisbane (Michel Gondry film "Pina days") | Space movie
In his famous aphorism clark rubber brisbane Friedrich Nietzsche declared clark rubber brisbane to the world that "God is dead." The present crisis of bourgeois European values, demonstrating the impermanence of our existence in the face of total disclosed Michel Gondry created the light novel by Boris Viana fantastic world of picture sets that simulate modern "life." Roman Borys Viana is a mental continuation of absurdist and existential search of Jean-Paul Sartre (not in vain in the film belongs to the dominant references to Jean-Sol Partru), Martin Heidegger, Erich Fromm and other places besides the aforementioned crisis and colorful signs of the historical period that is eternal (ongoing decline by Oswald Spengler), the question of man's clark rubber brisbane place in the framework of the global existence of the very essence of human existence from the dawn to decline and the quality of this existence.
The message that the third time, after 1968, now came the Michel Gondry, not only incorporates the features of his own artistic character and style (mention the "eternal radiance of Pure Reason" and "Science of Sleep"), but also a vivid reflection of the dominant clark rubber brisbane trends which brought clark rubber brisbane a number of major executions such values as love, friendship, clark rubber brisbane family, happiness, freedom, life, loyalty. But the essence is just that these death sentences handed down in the first place, in very special ways and, secondly, made not only the formulation of an abstract "universal" clark rubber brisbane values.
The first thing that should jump into the eyes of everyone - it's not the style and character, in which the director realizes the idea of Viana in their own interpretation, clark rubber brisbane but the atmosphere that accompanies and this particular style or even language communication clark rubber brisbane director with the audience, and this fantasy novel, and is bourgeois. The bourgeois atmosphere of the film acts as a satirical reflection of existence, a place which would have to take life. Here we see the unemployed and knees that due to their wealth, which by the way is not clear where did can not afford to meet any desires, while exploiting Nicolas and Myshonu. Luxury chairs, musical alcoholic cocktails and pop song "I will always love you" birthday dog Where Pontazan that gets to the full set of hairdressing, manicure services otuplena glamorous style "life" poyednyuyetsya working with unprofessional staff, physicians who can not make a diagnosis, say the name of the medicine, director of the company that have no idea what they do and who they want inhumanity production system, monetary clark rubber brisbane dependence all around, including any "universal" values, and eventually symbolic rink, symbolizing a society that kills people chase after "winning" in a competitive social environment. To all this is added a bright commercialization of the church as an institution that by its slogan says: "Actually, I'm sad to hear that someone is poor. You would turn to God, but for the money it is better not to bother. " Indeed sentence Nietzsche "God is dead" is realized in our lives, as an internal death of us all. A society where the dominant clark rubber brisbane parties are black social and individual reality, where murder or treason are being commonplace.
I have long not stand not in the theater or in a movie, can not read newspapers, rarely clark rubber brisbane read modern books, I do not see any joy looking people on crowded railways, clark rubber brisbane overcrowded hotels, cafes, bars and variety of elegant luxury cities at world exhibitions, festive celebrations, lectures for the curious, stadiums - all these pleasures that could in fact be available to me and thousands of others who are fighting, I do not understand, do not share. And the fact that in the rare hours of joy is with me, that for me - bliss, event, ecstasy, uplifting - a world accepts clark rubber brisbane and loves looking clark rubber brisbane except in poetry, in life it seems to him crazy, and if the world is right if this right music at the cafe, the mass entertainment, these Americanized satisfied so small people, then I'm wrong, then I - crazy, so I have the same Steppenwolf who I myself have repeatedly called the beast who wandered into strange weird world and finds himself no homeland, no food, no air (H. Hesse, "Steppenwolf").
Perhaps the best take notes every day. Keep a diary to get to the bottom. Do not let the shades, small facts, even if it seems that they are insignificant and, most importantly, to bring them into the system (Jean-Paul Sartre, "Nausea").
In the film we witness the interaction products of bourgeois reality, seeking to touch the main bourgeois values. Colin, watching vlashtovanistyu privacy of others, feeling a deep sense of loneliness, decides for itself on the model of small children "I want, I want," which he has need fall in love, which is transformed into the idea of duty to fall in love. Denying common interests as the basis to explore it betrays
In his famous aphorism clark rubber brisbane Friedrich Nietzsche declared clark rubber brisbane to the world that "God is dead." The present crisis of bourgeois European values, demonstrating the impermanence of our existence in the face of total disclosed Michel Gondry created the light novel by Boris Viana fantastic world of picture sets that simulate modern "life." Roman Borys Viana is a mental continuation of absurdist and existential search of Jean-Paul Sartre (not in vain in the film belongs to the dominant references to Jean-Sol Partru), Martin Heidegger, Erich Fromm and other places besides the aforementioned crisis and colorful signs of the historical period that is eternal (ongoing decline by Oswald Spengler), the question of man's clark rubber brisbane place in the framework of the global existence of the very essence of human existence from the dawn to decline and the quality of this existence.
The message that the third time, after 1968, now came the Michel Gondry, not only incorporates the features of his own artistic character and style (mention the "eternal radiance of Pure Reason" and "Science of Sleep"), but also a vivid reflection of the dominant clark rubber brisbane trends which brought clark rubber brisbane a number of major executions such values as love, friendship, clark rubber brisbane family, happiness, freedom, life, loyalty. But the essence is just that these death sentences handed down in the first place, in very special ways and, secondly, made not only the formulation of an abstract "universal" clark rubber brisbane values.
The first thing that should jump into the eyes of everyone - it's not the style and character, in which the director realizes the idea of Viana in their own interpretation, clark rubber brisbane but the atmosphere that accompanies and this particular style or even language communication clark rubber brisbane director with the audience, and this fantasy novel, and is bourgeois. The bourgeois atmosphere of the film acts as a satirical reflection of existence, a place which would have to take life. Here we see the unemployed and knees that due to their wealth, which by the way is not clear where did can not afford to meet any desires, while exploiting Nicolas and Myshonu. Luxury chairs, musical alcoholic cocktails and pop song "I will always love you" birthday dog Where Pontazan that gets to the full set of hairdressing, manicure services otuplena glamorous style "life" poyednyuyetsya working with unprofessional staff, physicians who can not make a diagnosis, say the name of the medicine, director of the company that have no idea what they do and who they want inhumanity production system, monetary clark rubber brisbane dependence all around, including any "universal" values, and eventually symbolic rink, symbolizing a society that kills people chase after "winning" in a competitive social environment. To all this is added a bright commercialization of the church as an institution that by its slogan says: "Actually, I'm sad to hear that someone is poor. You would turn to God, but for the money it is better not to bother. " Indeed sentence Nietzsche "God is dead" is realized in our lives, as an internal death of us all. A society where the dominant clark rubber brisbane parties are black social and individual reality, where murder or treason are being commonplace.
I have long not stand not in the theater or in a movie, can not read newspapers, rarely clark rubber brisbane read modern books, I do not see any joy looking people on crowded railways, clark rubber brisbane overcrowded hotels, cafes, bars and variety of elegant luxury cities at world exhibitions, festive celebrations, lectures for the curious, stadiums - all these pleasures that could in fact be available to me and thousands of others who are fighting, I do not understand, do not share. And the fact that in the rare hours of joy is with me, that for me - bliss, event, ecstasy, uplifting - a world accepts clark rubber brisbane and loves looking clark rubber brisbane except in poetry, in life it seems to him crazy, and if the world is right if this right music at the cafe, the mass entertainment, these Americanized satisfied so small people, then I'm wrong, then I - crazy, so I have the same Steppenwolf who I myself have repeatedly called the beast who wandered into strange weird world and finds himself no homeland, no food, no air (H. Hesse, "Steppenwolf").
Perhaps the best take notes every day. Keep a diary to get to the bottom. Do not let the shades, small facts, even if it seems that they are insignificant and, most importantly, to bring them into the system (Jean-Paul Sartre, "Nausea").
In the film we witness the interaction products of bourgeois reality, seeking to touch the main bourgeois values. Colin, watching vlashtovanistyu privacy of others, feeling a deep sense of loneliness, decides for itself on the model of small children "I want, I want," which he has need fall in love, which is transformed into the idea of duty to fall in love. Denying common interests as the basis to explore it betrays
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