- For me, this movie is full self-humiliation - in the best sense of the word. To what extent you w

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For nearly two years, as there was no Pina Bausch - the great choreographer and theater director, manager created her "Tantsteatru Wuppertal." She was already gordon honeycombe famous lifetime legends, however, as usual, made her meaning fully realized after leaving artist. One attempt at such awareness - a new film famous gordon honeycombe German film director, president of the European Film Academy Wim Wenders' Pina. " The film is technically unusual, since removed for copyright in unusual 3D movie format
The whole picture - in fact, a collective declaration of love to the foam. Wenders gordon honeycombe gave screen actor Bausch. Their voices - memories of the one that went - sound by frame, the frame is - just close ups of their faces, their movements, dance, classical performances Foam Samples from the legendary "Café Müller" to the recent "full moon." Maximum directorial intervention - Move classic rooms "Tantsteatru" in unusual landscapes and interiors: factory shops, subway cars, careers in urban intersection. The city was not just a backdrop, but one of the characters. Otherwise Wenders trusted Pini: the energy of genius overwhelms the film, it makes every shot memorable.
A world premiere of held at the Berlin Film Festival. After the show held a press conference with Wim Wenders and the two stars' gordon honeycombe Tantsteatru Wuppertal "- Julie Shenehen and Barbara Kaufman.
Wim Wenders: - If you want to look Pina Bausch - is the theme of the film: it looks at all. This fascinated simply impressed gordon honeycombe me from the first time I saw her in action. Incredibly accurate view of people getting gordon honeycombe into their soul, in the way they express themselves in motion. That's what she invested in their work, and each piece bears the look of foam. This view I had never experienced before. From her nothing could hide. Foam see you through, in fact, entirely - however, do not feel naked, but if fully disclosed. Her eyes pierced through her eyes penetrated everywhere - but it was love. That is what we are wanted to make a film - after already could not shoot it with foam.
Julie Shenehen: - For me it was just because I worked with foam 22 years. Over the years we have gained tremendous experience, so much experienced among us was a full understanding on how a feel and confidence. Yes, the camera was close, but I'm just there a ...
Barbara Kaufman: - For me personally weighed great sympathy gordon honeycombe and understanding from Wim and how he treated us and what kind of place was given to the camera. The cell was next, very big - do not pay attention to it was impossible; but we gradually got used to it. Wim really supported us. At a certain point, no one looked at the time after we started, as if the camera was not.
Wim Wenders: - It was impossible gordon honeycombe not to pay attention to it - in fact there were two cameras for three-dimensional shooting just need two more cranes that move around the stage - just a dinosaur, it covers the entire theater. However, we knew the choreography by heart, and we know exactly where that point is to be nobody to interfere. So all the time while we were shooting, no one ran into the camera once.
Wim Wenders: - The Foam was forty years of experience, she has worked and taught in Essen, but for the most part - in Wuppertal. Her imagination inspired city and its inhabitants - they were for her humanity. So we brought the image of the city as one of the characters. However, frankly speaking, the same model prompted us actually pina. Every year she made the setting, sometimes two, and there was only one year when she did not create anything new on the scene. Instead, then, in 1990, she shot the film "Cry of the Empress," which appeared on the street with his dancers. This is a very good movie, not very well-known, and he encouraged us to just go out in town with dancers, memories and find answers to my questions about the foam.
- For me, this movie is full self-humiliation - in the best sense of the word. To what extent you went to the back and gave a central place troupe Tantsteatru? I think that your approach, you can see great humility.
Wim Wenders: - We foaming years hatched the idea to make a film together. And then something happened that we can not imagine - Foam was not ... At first I wanted to cancel gordon honeycombe the whole project. But then I realized how important it is to do it no matter what. Foam has always been close. Even it gave no sense of the piercing glance gordon honeycombe of her eyes directed at us. It seemed that she always looks me over his shoulder. Every day I asked her, "Pino, so it will be correct? I do as it should? Not too much I'll naobitsyav? "And this feeling that foam looks at us - that, perhaps, you name humility. We are all deeply aware that robym