THREE OF POETRY Boris Oleinik | Gregory scrap
There are many ways to say a word about the hero of the day. The way that I want to mention is the 75th anniversary of Boris Oleinik - one of his favorites even with 70-80s poets - may seem a bit unusual: Just consider esteemed readers of "Words and Time" on three of his works. First, read through each of the three proposed poems, restore them in memory, and then let me make them unobtrusive short comment.
Back in 1989, has the publishing house "Soviet writer" issued his book "The white paper roll Poetics of Boris Oleinik." Written, it is not because of half a century jubilee extremely popular when the poet, and with a completely different purpose. Write monographic study of the poetics of "our Ilyich" (as they said in writers' circles of the Secretary of the Party Committee of the Union of Writers of Ukraine), I decided on a very mercantile purpose, white paper roll namely preparing to then-doctoral, and I needed a "testing ground" for the trial of methodological principles of system analysis of individual poetics white paper roll that developed in the thesis and which necessarily had to be tested in practice. In order to show the functioning of the poetic white paper roll work as a system-holistic "body", each of which "works" to "end result", ie, the expression of a complex artistic sense ("rhythmic ideas"), the poetry of Boris Oleinik, as it seemed to me , fitted best. To solve this problem, it was necessary to resort to infrequent and little developed in our literary "genre" poetics analysis of individual works. white paper roll It is still one of the serious shortcomings of our science literature is, in my opinion, ignoring the genre. Prefer to write reinforced concrete "dissertations" language of some important scientific problems without feeling that this zalizobetonnist binds and inhibits opinion, does not allow it to open up fully and thus somehow catch in literary consciousness - not saying all of the public consciousness, to which it simply is not able to because of its weakness and vagueness penetrate.
For example, the Taras Shevchenko white paper roll everything allegedly said. It seems that every new work, which generally studied white paper roll or that problem varies only spoken in all previous studies, adding at the same time - so, thank God, it is! - Some fraction of new. But Shevchenko could open up and deeper, and rozmayitishe through "monographic" analysis of individual poems. Science white paper roll of the analysis is quite complicated. white paper roll One of her conditions - besides white paper roll (context, comparative and other things) - it is mandatory to carry up to date analysis of poetics. Without this piece to the bottom white paper roll - and she artistry! - Just can not get ...
The book "The Poetics of Boris Oleinik" consisted of a series of "monographs" poetics studies of individual works. All offered in this essay poetry of Boris Oleinik great detail - word by word, line by line - are analyzed in that monograph. Now, reading these studies, I feel that not everything is managed in these works reveal. This interfered with (I think so) cursed white paper roll "internal" censor (80 years!) And experience obviously not always enough.
Outlining literary theory 5 th year Philology, this use of poetry in one of the lectures in order to achieve the following results: 1) explain the term "implication" and show it to function as an extremely powerful source of artistry, and 2) to identify the ability of future teachers, philologists solve complex meanings white paper roll and subtexts ability to articulate them, and 3) the level of national consciousness promonitoryty white paper roll graduate students, keeping in mind that he is a teacher's native language and literature is an important feature of professional expertise.
Before you read this poetry to an audience, I ask students after listening to answer the question: "Describe the main meaning of the work, its basic idea," or, simply, "I wanted to say this work the poet?". And every time the discussion of poetry, parable turns into a complex process of opening Boris Oleinik as a poet, endowed white paper roll with the capacity for external, supposedly "naive" form (in fact, this is the seeming simplicity, because based on a high poetic skills), to build sophisticated artistic meanings time unravel them, or rather, happy moment of comprehension, inspires respect for the poet, who in prytcheviy form expressed one of the most acute national problems, namely the mechanism shown zmalorosiyschennya millions of people who have broken away from their roots and are now living outside their own culture - listen to "other white paper roll people's songs." To see this, turn on the TV and walk around the TV channels ...
I flew handsome white paper roll devils on horseback as a raven black - white foam falling as snow, - Oh, to the Churayivna that swore by third cock Towels ambassador white paper roll me down, And to that ... as one that both lead hand - Nightingale 'her die in the spring!
I was flying ... A Midsummer Two stars of summed
There are many ways to say a word about the hero of the day. The way that I want to mention is the 75th anniversary of Boris Oleinik - one of his favorites even with 70-80s poets - may seem a bit unusual: Just consider esteemed readers of "Words and Time" on three of his works. First, read through each of the three proposed poems, restore them in memory, and then let me make them unobtrusive short comment.
Back in 1989, has the publishing house "Soviet writer" issued his book "The white paper roll Poetics of Boris Oleinik." Written, it is not because of half a century jubilee extremely popular when the poet, and with a completely different purpose. Write monographic study of the poetics of "our Ilyich" (as they said in writers' circles of the Secretary of the Party Committee of the Union of Writers of Ukraine), I decided on a very mercantile purpose, white paper roll namely preparing to then-doctoral, and I needed a "testing ground" for the trial of methodological principles of system analysis of individual poetics white paper roll that developed in the thesis and which necessarily had to be tested in practice. In order to show the functioning of the poetic white paper roll work as a system-holistic "body", each of which "works" to "end result", ie, the expression of a complex artistic sense ("rhythmic ideas"), the poetry of Boris Oleinik, as it seemed to me , fitted best. To solve this problem, it was necessary to resort to infrequent and little developed in our literary "genre" poetics analysis of individual works. white paper roll It is still one of the serious shortcomings of our science literature is, in my opinion, ignoring the genre. Prefer to write reinforced concrete "dissertations" language of some important scientific problems without feeling that this zalizobetonnist binds and inhibits opinion, does not allow it to open up fully and thus somehow catch in literary consciousness - not saying all of the public consciousness, to which it simply is not able to because of its weakness and vagueness penetrate.
For example, the Taras Shevchenko white paper roll everything allegedly said. It seems that every new work, which generally studied white paper roll or that problem varies only spoken in all previous studies, adding at the same time - so, thank God, it is! - Some fraction of new. But Shevchenko could open up and deeper, and rozmayitishe through "monographic" analysis of individual poems. Science white paper roll of the analysis is quite complicated. white paper roll One of her conditions - besides white paper roll (context, comparative and other things) - it is mandatory to carry up to date analysis of poetics. Without this piece to the bottom white paper roll - and she artistry! - Just can not get ...
The book "The Poetics of Boris Oleinik" consisted of a series of "monographs" poetics studies of individual works. All offered in this essay poetry of Boris Oleinik great detail - word by word, line by line - are analyzed in that monograph. Now, reading these studies, I feel that not everything is managed in these works reveal. This interfered with (I think so) cursed white paper roll "internal" censor (80 years!) And experience obviously not always enough.
Outlining literary theory 5 th year Philology, this use of poetry in one of the lectures in order to achieve the following results: 1) explain the term "implication" and show it to function as an extremely powerful source of artistry, and 2) to identify the ability of future teachers, philologists solve complex meanings white paper roll and subtexts ability to articulate them, and 3) the level of national consciousness promonitoryty white paper roll graduate students, keeping in mind that he is a teacher's native language and literature is an important feature of professional expertise.
Before you read this poetry to an audience, I ask students after listening to answer the question: "Describe the main meaning of the work, its basic idea," or, simply, "I wanted to say this work the poet?". And every time the discussion of poetry, parable turns into a complex process of opening Boris Oleinik as a poet, endowed white paper roll with the capacity for external, supposedly "naive" form (in fact, this is the seeming simplicity, because based on a high poetic skills), to build sophisticated artistic meanings time unravel them, or rather, happy moment of comprehension, inspires respect for the poet, who in prytcheviy form expressed one of the most acute national problems, namely the mechanism shown zmalorosiyschennya millions of people who have broken away from their roots and are now living outside their own culture - listen to "other white paper roll people's songs." To see this, turn on the TV and walk around the TV channels ...
I flew handsome white paper roll devils on horseback as a raven black - white foam falling as snow, - Oh, to the Churayivna that swore by third cock Towels ambassador white paper roll me down, And to that ... as one that both lead hand - Nightingale 'her die in the spring!
I was flying ... A Midsummer Two stars of summed
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