A new proposal for exhibition support wallpapers | Unicum
Training C. and R. Parchment C. and R. Wood and R. C. Preventive Conservation of Contemporary Art C. and R. C. and R. Anthropological Research Metal C. and R. C. Bone Material Painting and R. C. and R. C. and R. Musical Instruments Furniture History and Iconography Archaeological C. and R. C. and R. C. and R. sculpture of Fotogria (paper) Interdisciplinary Projects versi foam C . R. and Documentary Material C. and R. C. Petri and R. C. Graphic Art and Ethnographic R. C. and R. C. textile materials and pictorial R. and R. C. Photography Techniques and Technology
The assembly of exhibitions is an experience in which involved professionals from different sectors versi foam commissioners, designers, transporters, exhibition coordinators, editors, curators and restorers. This article shows the unique museum that presents a particular object, wallpaper, as well as coordination and collaboration between different professionals to achieve an aesthetic unity and guarantee a good preventive conservation of the exposed material.
Laia Calleja Galera. Managing collections of museums Barcelona versi foam Design Hub. BA in Art History from the University of Barcelona and Diploma in Conservation and Restoration by Graph Paper ESCRBCC.
From 7 July to 31 October 2010, the space 0 Design Hub Barcelona (DHUB) in Montcada street gallery hosted the study [1] "Wallpaper. Collection of the Museum of Decorative Arts and the Office of Graphic Arts. " This exposition was a good opportunity for the display, study and reflection of this collection of museums Barcelona Design Hub (DHUB).
The gallery versi foam was divided into two distinct parts: historical and contemporary, where there were only eighty wallpapers of more than 2,000 pieces contained in this collection. versi foam
Treatment when assembling the pieces was very different in each of the two parts. The contemporary part consisted of rolls of wallpaper that today you can buy in the shops and therefore, it was possible to acquire both assembly and increase the endowment for the museum. The wallpaper was glued directly on contemporary media exhibition, anticipating that they will not recover soon, once the exposure, even eliminated. versi foam
In the historical part, but the material is preserved only and, therefore, had to find a system that would ensure the satisfactory preservation of rolls which in turn could be exposed. This is partly historical, to focus our attention to explain the museum experience.
During the design of the exhibition raised several factors that influenced decisively in the final project: The condition of the parts. The special element to exhibit. The budget that was counted. The purpose museum and exhibition design. The exhibition history. versi foam
Much of historic wallpapers displayed come from a donation that entered the museum during the 90s of the twentieth century through which expanded considerably in the collection. [2] As a consumer product and therefore, versi foam handled and stored according to commercial use when they enter the museum had some rolls shock, tears and sundering the edges. In addition, in many cases, because of the raw material that had been made, had the support of acidification important role, which made them very vulnerable when being handled.
Since its production, through storage to its current conservation at the museum, the papers have been preserved mainly coiled. That's why when exposing them, showed some resistance to be developed and manipulated.
The pieces were presented to exhibit different formats. Although the vast majority, of their own size, conserved coiled, there were bits and pieces as both rolled flat.
Evaluating the types of material, which showed a greater complexity and roll exhibition was therefore necessary to review every piece of the following characteristics that influence the final design museum:
Thickness necessary to note that there were paper thin and others very thick, almost cardboard. Surface: some were smooth and others showed relief, embossed or fibers attached. Size: both were different with respect to the width of the paper roll diameter as factors influencing the distribution of the material in the exhibition space. Reading the drawing or design: the role meant that he had installed in vertical or horizontal position either in boxes or wall, impinging
Training C. and R. Parchment C. and R. Wood and R. C. Preventive Conservation of Contemporary Art C. and R. C. and R. Anthropological Research Metal C. and R. C. Bone Material Painting and R. C. and R. C. and R. Musical Instruments Furniture History and Iconography Archaeological C. and R. C. and R. C. and R. sculpture of Fotogria (paper) Interdisciplinary Projects versi foam C . R. and Documentary Material C. and R. C. Petri and R. C. Graphic Art and Ethnographic R. C. and R. C. textile materials and pictorial R. and R. C. Photography Techniques and Technology
The assembly of exhibitions is an experience in which involved professionals from different sectors versi foam commissioners, designers, transporters, exhibition coordinators, editors, curators and restorers. This article shows the unique museum that presents a particular object, wallpaper, as well as coordination and collaboration between different professionals to achieve an aesthetic unity and guarantee a good preventive conservation of the exposed material.
Laia Calleja Galera. Managing collections of museums Barcelona versi foam Design Hub. BA in Art History from the University of Barcelona and Diploma in Conservation and Restoration by Graph Paper ESCRBCC.
From 7 July to 31 October 2010, the space 0 Design Hub Barcelona (DHUB) in Montcada street gallery hosted the study [1] "Wallpaper. Collection of the Museum of Decorative Arts and the Office of Graphic Arts. " This exposition was a good opportunity for the display, study and reflection of this collection of museums Barcelona Design Hub (DHUB).
The gallery versi foam was divided into two distinct parts: historical and contemporary, where there were only eighty wallpapers of more than 2,000 pieces contained in this collection. versi foam
Treatment when assembling the pieces was very different in each of the two parts. The contemporary part consisted of rolls of wallpaper that today you can buy in the shops and therefore, it was possible to acquire both assembly and increase the endowment for the museum. The wallpaper was glued directly on contemporary media exhibition, anticipating that they will not recover soon, once the exposure, even eliminated. versi foam
In the historical part, but the material is preserved only and, therefore, had to find a system that would ensure the satisfactory preservation of rolls which in turn could be exposed. This is partly historical, to focus our attention to explain the museum experience.
During the design of the exhibition raised several factors that influenced decisively in the final project: The condition of the parts. The special element to exhibit. The budget that was counted. The purpose museum and exhibition design. The exhibition history. versi foam
Much of historic wallpapers displayed come from a donation that entered the museum during the 90s of the twentieth century through which expanded considerably in the collection. [2] As a consumer product and therefore, versi foam handled and stored according to commercial use when they enter the museum had some rolls shock, tears and sundering the edges. In addition, in many cases, because of the raw material that had been made, had the support of acidification important role, which made them very vulnerable when being handled.
Since its production, through storage to its current conservation at the museum, the papers have been preserved mainly coiled. That's why when exposing them, showed some resistance to be developed and manipulated.
The pieces were presented to exhibit different formats. Although the vast majority, of their own size, conserved coiled, there were bits and pieces as both rolled flat.
Evaluating the types of material, which showed a greater complexity and roll exhibition was therefore necessary to review every piece of the following characteristics that influence the final design museum:
Thickness necessary to note that there were paper thin and others very thick, almost cardboard. Surface: some were smooth and others showed relief, embossed or fibers attached. Size: both were different with respect to the width of the paper roll diameter as factors influencing the distribution of the material in the exhibition space. Reading the drawing or design: the role meant that he had installed in vertical or horizontal position either in boxes or wall, impinging
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